The A side of the album (yes, I still think in vinyl) give you five songs that form the title of the novel and four of its parts.  All of these songs, to me, capture the mood of the novel.  They also each have lyrics that connect to the story.

Thompson Twins – If You Were Here: The title of the novel.  As McKenna Jordan searches for her missing friend Susan Hauptmann, she thinks about the decisions they both made ten years ago and how they affect the present.  “If You Were Here” reflects a question McKenna repeatedly finds herself asking: What if life had unfolded differently for both of them?  I was on the fence about the title because it had previously been used by the wonderful Jen Lancaster, but when the song came on the radio as I was pulling out of my garage, I decided it was a sign.
Tears For Fears – Mad World:  “All around me are familiar faces.”  Literally, this is a reference to the early chapters of the novel, when McKenna believes she recognizes Susan’s familiar face.  But the song goes on to say that the person watching those familiar faces feels like an outsider.  This is a song for Susan.
Tori Amos – Northern Lad: “Girls you’ve got to know when it’s time to turn the page, when you’re only wet because of the rain.”  This is a song about moving on and putting the past behind.
Kate Bush – Head’s Were Dancing: “There was a picture of you, A picture of you ‘cross the front page, It looked just like you, just like you in every way. But it couldn’t be true. It couldn’t be true. You stepped out of a stranger.”  McKenna doesn’t know whom she can trust.
Feist – Past In Present: “So much present inside my present, Inside my present so…so much past.” McKenna’s present search for Susan pulls her into the past, and the past has determined her present.

The B side are fun songs referenced along the way.

RUN-DMC – It’s Like That: In the opening chapter, Nicky Cervantes runs through the Times Square subway station and passes a group of break dancers performing to Run DMC.  Though naming the specific song would have been too intrusive, this is the song!
P!nk – Get The Party Started: When McKenna writes a book chapter about the first time she met her husband Patrick through their mutual friend Susan, she says it was the year everyone was getting the party started with Pink.  I remember how ubiquitous this song was when I first moved to New York.  It was the kind of song that made me feel young and fun and reckless.
Snoop Doggy Dogg – Gin And Juice
The Sugarhill Gang – Rapper’s DelightThese are Susan’s go-to hip-hop songs when she’s more than a little tipsy.  They’re also just great songs.

Here’s a Spotify link to the full soundtrack.  Hope you enjoy the playlist, and I really hope you enjoy IF YOU WERE HERE.

The first official signing will be at tonight’s pre-publication event in Tribeca, and then I’ll be hitting the road.  (Full calendar here, including a list of excellent bookstores that will mail you a signed copy.)  If I can’t see you in person, I hope you’ll drop by GoodReads on June 11, when I’ll be doing an on-line discussion.

You also still have one more day to enter the early-reader raffle for IF YOU WERE HERE.   I will send THREE lucky readers a custom tote bag, designed by me and filled with signed books.  ONE of those lucky readers will also get to NAME A CHARACTER IN THE NEXT ELLIE HATCHER NOVEL!

Entering is easy.  Just pre-order a copy of IF YOU WERE HERE, in any format, from any retailer, and then fill out this handy-dandy form.

You can read more about IF YOU WERE HERE on the website.

Finally, in Double news, he and I have been in a battle of wills over his continued presence on the sofa.  Though I’ve never once caught him there in the act, he underestimates my powers of deducation by leaving behind a layer of telltale white fur, a trail of disrupted cushions, and, one time, a gently nibbled flip-flop.

This weekend, I upped my game by booby-trapping the sofa with soda cans filled with pennies.  This is what happened when I left Double alone in the apartment.  You are welcome.

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Pre-order from Amazon (print) (Kindle) • Barnes & Noble (print) (Nook) • Books-a-Million • IndieBound • iTunes • Target • Wal-Mart

Don’t forget to fill out this pre-order form to be entered into a raffle for cool loot!
“Outstanding…Burke’s accuracy in legal and judicial technicalities is impressive although most readers will find simpler pleasures in her sharp writing, well-constructed plot, and dimensional characters.” —Publisher’s Weekly, starred review

“IF YOU WERE HERE is a winner: a suspenseful, tightly plotted story of friendship, lies, and betrayal. Alafair Burke writes deftly about secrets buried close to home. An accomplished novel by an assured author.” —Meg Gardiner

“After finishing IF YOU WERE HERE, I don’t feel I can trust anyone ever again, except Alafair Burke to provide a cracking good read.” —Linwood Barclay

“Exciting….Lawyer turned-journalist McKenna finds her life turned upside down when she recognizes a friend from her college years who disappeared without a trace a decade before on a video of a near-tragedy on the subway….Will engage [Burke’s] growing audience.” —Booklist

“Burke’s first class adventure has murder and mayhem wrapped up in an intricate, innovative plot….Character development is stellar and the guilty party will keep readers guessing until the end.” —RT Book Reviews, 4 ½ starred review

“Burke is one of the more talented crime writers working today.” —Pittsburgh Tribune (a summer book pick)

“Her new standalone delivers a cleverly nuanced plot that will keep the pages turning.  Her smart writing is fast-paced and engaging, and this book should appeal to most mystery readers, especially those looking for compelling, intelligent story lines.” —Library Journal

But then I met Double, and this happened:

But seven weeks and six days before publication, there’s nothing left for me to do.  The book’s off to the printer.  The reviews will start coming in.  The book will either find readers or it won’t.  What’s this control freak to do?  Deep breaths.  Walk dog.  Try.  To.  Chill.

But the next weeks will be easier for me than this same period ten years ago when I published my first book.  They will be easier because I know that someone will read my little story that I poured myself into.  In fact, I’m now fortunate to have a lot of loyal readers who will buy IF YOU WERE HERE early, read it as soon as it comes out, and tell their friends to do the same.  That’s a pretty blessed place to be for a writer these days.

So if you’re one of those early readers, I want to thank you.  Although I can’t send a personal token of my vast appreciation to all of you, I will be sending THREE lucky readers a custom tote bag, designed by me and filled with signed books. One of those lucky readers will also get to NAME A CHARACTER IN THE NEXT ELLIE HATCHER NOVEL!

Details and handy-dandy form are here.

I’ve also been in blurb heaven recently, thanks to some very kind words from two of my favorite authors:

“IF YOU WERE HERE is a winner: a suspenseful, tightly plotted story of friendship, lies, and betrayal. Alafair Burke writes deftly about secrets buried close to home. An accomplished novel by an assured author.” — Meg Gardiner

“After finishing IF YOU WERE HERE, I don’t feel I can trust anyone ever again, except Alafair Burke to provide a cracking good read.”  -Linwood Barclay

But I found myself thinking about her note over the next several weeks.  What hat should authors wear when deciding whether to endorse a book?  I put on my reader hat.  If the book is good, I’ll say it’s good.  If it’s bad, I stop reading, because life is too short for bad books.  (If it’s not bad, but not especially good, I have a tendency to move it to the bottom of my long TBR pile and tell the author’s publisher I can’t get to it on their timeline, which is almost always the case anyway, even when I’m not white-lying.)

What I don’t do is ask myself whether I would have made all the same writing choices.  I also don’t ask myself whether people who like my books will necessarily like the one I’m reading.  The reader who emailed me seemed to think one of these should be the standard, but how would that work?  No two writers would write a book the same way, and I have no idea what makes my readers like what they like: the setting, the voice, the police details, the humor, a character’s love of Nutella?  All I can do is read the book and see if I like it.  Some readers will agree, for whatever reasons, but others won’t because the book’s too “fluffy,” or too violent, or set in the 1800′s, or involves ghosts, or has too much legal detail, or isn’t true enough to the law, or … you know, Book, I’m just not that into you.

Am I wrong?  What precisely does an author’s endorsement of a book say to you?

P.S. If you’re interested, here are excerpts from the reader’s email, followed by my response:

I just picked up [book] by [author], mainly because I saw that you recommended it as I am a devoted fan of your writings – I got to the [bad thing], put the book down and will never read one of his books again. The sad thing, as I am such a fan of yours and never miss any of your writings, is I will never pick up another one of your books, as several people at the company I work for will not, as anyone who can praise a writer that does so much [bad thing] and puts those thoughts into people to do, is not the kind of person that I want to read.  Once again, for people to understand, when we read stories we want to enjoy, [bad thing] is not enjoyment … [Goes on to say she will also not read an especially noteworthy author XX, who also blurbed the book] This cruelty was to the most extreme that I have ever read and by your praise you are saying that is ok too.  ..I will truly miss your writings as you are GREAT.

Most of my response:

…At every stage of my career, I have been so appreciative of the support I’ve received from other writers, so I do try to find the time to read the work of other writers who ask me to consider making a recommendation. When I read, I have to recognize that no writer will make the same choices I would, or else my beloved hobby of reading would become a miserable exercise in comparing my work against others’.  Instead, I decide whether to endorse a book by evaluating its overall merit.  Was it well written?  Will I remember it?  Do I think it brings something novel to the genre?  Based on those considerations, I concluded (as did many other writers and critics) that [book] was a book worthy of endorsement.   I don’t enjoy reading about [the bad thing], and certainly don’t approve of it (I don’t think the author was trying to say [the bad thing was okay]; the scene was intended to show the cruelty involved and the effect on a character).  I respect your personal decision simply not to read such things, but it’s a rule that I don’t happen to impose on myself as a reader.

Your note has me wondering whether readers construe an author’s endorsement to mean something other than, “I think this book is meritorious.”  If instead it’s a promise to ones own readers that every single one of them will absolutely love every single page, most writers would have to limit their endorsements to books that are extremely similar to theirs, and where’s the fun in that? Authors who avoid profanity in their own work would not endorse those who did.  Someone who writes “tough” books wouldn’t endorse lighter fare.  A writer who thinks the n-word is always unacceptable in his own writing would not endorse the work of someone who thought it could be used to help define a character who spoke it.  And a writer who loves [type of victim involved in bad thing] could not endorse a darn good book whose author believed as an artist that a grueling scene involving [bad thing] was a way to show the ability of human beings to be truly evil.   So, again, I do appreciate the note and the thoughts it has provoked for some weeks now.  I confess that I don’t understand the rationale of boycotting writers based on their endorsement choices — as opposed to the contents of their own books — but it’s not my place to argue.  I hope you won’t also stop reading all of the writers who have generously supported my work, or the writers who supported theirs. (***originally added then deleted: or else you will run out of books to read)

And P.P.S.  The [bad thing] was a scene that involved animal cruelty.  Does that make a difference?  I know some will say it does, but why?

 I *loved* it.  Couldn’t wait to get back to it every time I left it.  Super characters, funny and smart, genuinely good writing.  And this was even when I was roaming around town, trying to find a power outlet and (even better) Wi-Fi.  Please pass along my very highest regards to the author.

Can I put that on a book jacket?

With puppies by the pool in Phoenix:

At Fort Stevens State Park in Warrenton, Oregon:

With 14 year old McGinnis in Syracuse:

Wherever you are reading NEVER TELL, I hope you are healthy, happy, and enjoying the read.  Thanks for the pictures, and keep them coming!